It’s impossible to say how many drafts Ties that Bind has undergone. It’s been in revision since 2008, when I “finished” 50k words during National Novel Writing Month (NaNoWriMo). Each sentence, each scene, and each chapter has been reviewed and critiqued countless times by me and the very capable–not to mention very patient–members of Lone Mountain Writers. It’s now about 100k.
This past spring, I printed out and read the whole thing cover-to-cover in an attempt to get a sense of how it all hung together. Or didn’t. The result was a hard copy filled with highlights, sticky-notes, and huge sections crossed out. I’ve since made those changes in my manuscript. Nonetheless, I thought it needed (I needed?) one more going-over before letting a few beta readers take a look. (Obsess much?) And no, the MSWord spelling and grammar checks don’t catch everything.
Several people recommended reading it aloud to myself. Good idea, but I have been over this beast so many times, I’ve become “error blind.” I do not read the words that are there. I read the words that I think are there. Silly brain.
Then I remembered that my Kindle Fire has a Text-to-Speech feature. I’d listened to e-books while driving, but never used it with a document. I sent the document (a docx file) to my Kindle Fire. If you haven’t done it before it’s pretty easy with your Kindle’s email address. Find yours under “Settings” and “My Account” on your device.
You know what? It worked!
Ms. Kindle’s voice is female and a little mechanical, but certainly clear enough for my needs. I sat at the computer with the document on the screen and the ear-buds tucked in. I listened and made corrections as the nonjudgmental voice read exactly what was on the page. Bless her heart. She read every single typo, every syntax error, and every other embarrassing “little” thing that I hadn’t picked up in my repeated readings. Some errors were the ghosts of previous drafts–you know, tense or point of view changes.
While I couldn’t see them, I could certainly hear them.
Still, as helpful as Ms. Kindle is, she can’t create the tension that compels a reader to keep turning pages. She can’t make my characters believable or likable. She can’t tell me which scenes and details are necessary and which were merely fun to write. Nor can she do the other thousand and one things to make this creation into a book that someone besides my family will want to read. That’s still up to me.
Stay tuned for further developments.
The Underground Railroad
Award winning (Pulitzer and National Book Award) and now I see why.
Whitehead’s railroad is at once metaphorical and real. Each station along its path delivers the young runaway slave, Cora, to a different future. The places range from seemingly benevolent (at least on the surface) to outright hostile. However, danger, brutality, and death are everywhere for the slaves and those who dared to help them.
Cora is relentlessly pursued by Ridgeway, a slave catcher whose views sound eerily familiar.
“In another country they would have been criminals, but this was America.”
“…I prefer the American spirit, the one that called us from the Old World to the new, to conquer and build and civilize. And destroy that what needs to be destroyed. To lift up the lesser races. If not lift up, subjugate, exterminate. Our destiny by divine prescription—the American imperative.
Cora learns to read and educates herself with almanacs and gazettes. But she already knew the injustice of the world.
“The whites came to this land for a fresh start and to escape the tyranny of heir masters…But the ideals they held for themselves, they denied to others.”
The number of slaves grew to accommodate cotton. As their numbers grew, so did fear of an uprising.
“That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast.”
Echoes of that hate and fear are sadly still evident today.
“Here’s one delusion: that we can escape slavery. We can’t. Its scars will never fade.”
And the author offers the teensiest bit of hope.
“The world may be mean, but people don’t have to be, not if they refuse.”
You’re going to think I like everything I read. Not true. After reading this book, I dove right into Jodi Piccoult’s Small Great Things, thinking I could tie the two together. You know, racism then and now. It was so well-written, the anger and hatred so real, so visceral it was painful to read. It hurt my heart. I chose not to read after the first quarter of the book. I had a similar reaction when I read her Handle with Care. It was just too sad. I stopped reading her books.
Nonetheless, when a book is worth sharing, I will. I recommend The Underground Railroad to you.
From Aaron Sorkin and “The West Wing”
On its surface, this is a coming of age story. It’s told in the lively and distinct voices of three women–Willa and Jottie Romeyn and Layla Beck–during the sultry summer of 1938 in the small town of Macedonia, West Virginia. Annie Barrows’ makes readers swelter and seek one cool spot in the days before air conditioning. We sit on the screened porch in creaking wicker chairs in the evening. We feel the relief offered by the tiniest breeze and sweating glasses of iced tea.
In other ways though, The Truth According to Us is the story of how we all come to terms with the stories we tell ourselves about our pasts. Sometimes the truth hurts, even when those we love try to protect us.
Young Willa Romeyn introduces the story, almost as Scout does in To Kill a Mockingbird.
“Everything that was to heave itself free of its foundations over the course of the summer began to rattle lightly on the morning of the parade. That was when I first heard of Layla Beck, when I began to wonder about my father, and when I noticed I was being lied to and decided to leave my childhood behind.”
At twelve, Willa is a voracious reader and has grown suspicious of her mysterious father’s frequent absences and the secrets being kept from her.
“If you’re going to unearth hidden truths, keen observing is your shovel.”
“It seemed so hard that I had to work out the answers on my own, but that’s what I had to do. I had to keep at it, finding out, guessing what would happen next, fighting for the right ending, trying to save them all.”
Willa’s Aunt Jottie is her surrogate mother. Jottie knows—or thinks she knows–the secrets and tries to protect Willa and her little sister Bird from them. She tries to instill in them the Macedonian virtues of “ferocity and devotion.”
“If only Willa could have what I had, Jottie mourned. If only she could be so certain and proud. It was an illusion every child should have. And Willa was losing it, right before her eyes.”
Pretty, spoiled Layla Beck, a Senator’s daughter, is sent here to grow up and earn her keep during the WPA era. She is tasked with writing the history of Macedonia for its upcoming sesquicentennial. She is soon confronted with conflicting versions of events and comes to a conclusion about history in general.
“A successful history is one that captures the living heat of opinion and imagination and ancient grudge.”
Those short weeks in West Virginia reveal “truths” about the town’s founder, the Civil War, bootleggers, the tragic death of young man years ago, and the price of family loyalty. Some of those lessons take a toll, especially on young Willa.
“I didn’t want to know everything anymore; I didn’t want to know anything.”
Nonetheless, the truth is I’d love to have sat on the Romeyn’s front porch sipping iced tea with the colorful residents of Macedonia that summer. Even in the heat. I was sorry to say good-bye.