Book Report: Two books that matter

51XL0AHlIvL._SY346_The Book that Matters Most

If, like me, you belong to book club, this book will appeal to you. It centers on a year in which the club’s theme is “The Book that Matters Most.” The members contribute the titles that matter most to them. Although they realize “it’s impossible to pick such a book. When you read a book, and who you are when you read it, makes it matter or not,” they find ten such books. The author cheated; she got to pick ten books that matter to the ten members of the club. Our book club is asked to do the same. How can I choose just one?

Ava, the main character, is facing mid-life after her husband’s affair and their recent divorce.  Her friend Cate invites her to join her book club, she accepts.

“She needed most of all, the comfort of people who wanted nothing more than to sit together and talk about books.

Ava immediately knows which book mattered most to her. It’s one she read as a child, just after her mother died.  The trouble is, it’s been out of print for years. No one can find it. Moreover, Ava has promised an appearance by the author who has disappeared. Or perhaps she never even existed. Then Ava’s troubled twenty-something daughter, Maggie, goes missing in Europe.

Those two compelling mysteries pull the reader through the story.

Perhaps the plot relies a little too much on coincidence for its resolution, but it was certainly enjoyable and worth recommending, if only for the discussion of the books. I’ve read two others by Ann Hood, The Red Thread and The Knitting Circle. I loved both, so I’m adding Hood to my collection of favorite authors named Ann: Ann Patchett, Anne Lamott, Anne Tyler, and Anna Quindlen.

If you had to choose the book that matters most, what would it be? Please comment below.

51Q+SOKe+PL._SY346_My Grandmother Asked Me to Tell You She’s Sorry

Aaah, where to start. I LOVED this one. Elsa, the seven (almost 8) year-old narrator is the very definition of precocious. And I think author, Fredrik Backman gets her voice just right. While Elsa is adept at looking things up on the Internet and has read a mountain of “quality literature,” her comprehension is still that of a seven-year-old.  For example, her mother is pregnant with a baby who will be Elsa’s half-brother or sister. Until it is explained to her, she believes the baby will be–somehow–half a person. When “gender roles” are mentioned, she thinks they mean “gender trolls.”

Elsa and her Granny live in an apartment house, along with Elsa’s pregnant mom, mom’s boyfriend, and a host of unique, colorful and well-drawn characters who each play a part in the unfolding of this tale. Granny weaves a world of stories to help Elsa navigate the real world. But some question Granny’s suitability as a companion. When we first meet Elsa and her Granny, they are being apprehended by police in the middle of the night after breaking into the zoo.  This happens after they have escaped the hospital where Granny is a patient.  Granny has also been known to deter unwanted visitors by shooting them with a paintball gun from her balcony while wearing only a dressing gown.

Nonetheless, Granny understands the power of stories and what they teach us about real life and real dangers. She tries to prepare Elsa for what is to come.

Some of Granny’s lessons:

“Only different people change the world,” Granny used to say. “No one normal has ever changed a crapping thing.”

“…not all monsters were monsters in the beginning. Some are monsters born of sorrow.”

 “…the real trick of life was that almost no one is entirely a shit and almost no one is entirely not a shit. The hard part of life is keeping as much of the not-a-shit side as one can.”

And what stories teach us:

 “…if there is a dragon at the beginning of the story, the dragon will turn up again before the story is done. She knows everything has to become darker and more horrible before everything works out just fine at the end. Because that is how all of the best stories go.”

“People have to tell their stories…Or they suffocate.”

And the power of chocolate:

“…you can be upset while you’re eating chocolate Santas. But it’s much, much more difficult.”

Since I’m the grandmother to a super-smart seven (almost eight) year-old girl, this one went right to my heart. It’s warm, funny, wisecrack-y, sad, a little dark and scary at times, but ultimately triumphant. I can’t recommend it enough.

If the author sounds familiar, he also wrote A Man Called Ove, which has been on my TBR (To Be read) shelf for months. It may have just moved up. There is a Swedish movie of the book and an American remake in the works starring Tom Hanks.51dQBC7HcaL._SY346_

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Book report: The scars of slavery

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The Underground Railroad

Colson Whitehead

Award winning (Pulitzer and National Book Award) and now I see why.

Whitehead’s railroad is at once metaphorical and real. Each station along its path delivers the young runaway slave, Cora, to a different future. The places range from seemingly benevolent (at least on the surface) to outright hostile. However, danger, brutality, and death are everywhere for the slaves and those who dared to help them.

Cora is relentlessly pursued by Ridgeway, a slave catcher whose views sound eerily familiar.

“In another country they would have been criminals, but this was America.”

“…I prefer the American spirit, the one that called us from the Old World to the new, to conquer and build and civilize. And destroy that what needs to be destroyed. To lift up the lesser races. If not lift up, subjugate, exterminate. Our destiny by divine prescription—the American imperative.

Cora learns to read and educates herself with almanacs and gazettes. But she already knew the injustice of the world.

“The whites came to this land for a fresh start and to escape the tyranny of heir masters…But the ideals they held for themselves, they denied to others.”

The number of slaves grew to accommodate cotton. As their numbers grew, so did fear of an uprising.

“That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast.”

Echoes of that hate and fear are sadly still evident today.

“Here’s one delusion: that we can escape slavery. We can’t. Its scars will never fade.”

And the author offers the teensiest bit of hope.

“The world may be mean, but people don’t have to be, not if they refuse.”

You’re going to think I like everything I read. Not true. After reading this book, I dove right into Jodi Piccoult’s Small Great Things, thinking I could tie the two together. You know, racism then and now. It was so well-written, the anger and hatred so real, so visceral it was painful to read. It hurt my heart. I chose not to read after the first quarter of the book. I had a similar reaction when I read her Handle with Care. It was just too sad. I stopped reading her books.

Nonetheless, when a book is worth sharing, I will. I recommend The Underground Railroad to you.

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Author Colson Whitehead

 

Book report: Do you really want to know?

TruthOn its surface, this is a coming of age story. It’s told in the lively and distinct voices of three women–Willa and  Jottie Romeyn and Layla Beck–during the sultry summer of 1938 in the small town of Macedonia, West Virginia. Annie Barrows’ makes readers swelter and seek one cool spot in the days before air conditioning.  We sit on the screened porch in creaking wicker chairs in the evening.  We feel the relief offered by the tiniest breeze and sweating glasses of iced tea.

In other ways though, The Truth According to Us is the story of how we all come to terms with the stories we tell ourselves about our pasts. Sometimes the truth hurts, even when those we love try to protect us.

Young Willa Romeyn introduces the story, almost as Scout does in To Kill a Mockingbird.

 “Everything that was to heave itself free of its foundations over the course of the summer began to rattle lightly on the morning of the parade. That was when I first heard of Layla Beck, when I began to wonder about my father, and when I noticed I was being lied to and decided to leave my childhood behind.”

At twelve, Willa is a voracious reader and has grown suspicious of her mysterious father’s frequent absences and the secrets being kept from her.

“If you’re going to unearth hidden truths, keen observing is your shovel.”

“It seemed so hard that I had to work out the answers on my own, but that’s what I had to do. I had to keep at it, finding out, guessing what would happen next, fighting for the right ending, trying to save them all.”

Willa’s Aunt Jottie is her surrogate mother. Jottie knows—or thinks she knows–the secrets and tries to protect Willa and her little sister Bird from them.  She tries to instill in them the Macedonian virtues of “ferocity and devotion.”

“If only Willa could have what I had, Jottie mourned. If only she could be so certain and proud. It was an illusion every child should have. And Willa was losing it, right before her eyes.”

Pretty, spoiled Layla Beck, a  Senator’s daughter, is sent here to grow up and earn her keep during the WPA era. She is tasked with writing the history of Macedonia for its upcoming sesquicentennial. She is soon confronted with conflicting versions of events and comes to a conclusion about history in general.

“A successful history is one that captures the living heat of opinion and imagination and ancient grudge.”

Those short weeks in West Virginia reveal “truths” about the town’s founder, the Civil War, bootleggers, the tragic death of young man years ago, and the price of family loyalty. Some of those lessons take a toll, especially on young Willa.

“I didn’t want to know everything anymore; I didn’t want to know anything.”

Nonetheless, the truth is I’d love to have sat on the Romeyn’s front porch sipping iced tea with the colorful residents of Macedonia that summer. Even in the heat.  I was sorry to say good-bye.

 

 

Book report: What will the neighbors say?

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Fannie Flagg never fails to find humor and wisdom in everyday life and I am never disappointed when I pick up one of her books. The Whole Town’s Talking is no exception.

The book begins quietly with Swedish immigrant, Lordor Nordstrom advertising for a bride to join him on his dairy farm in Missouri. Katrina Olson, recently arrived from Sweden herself, reads the ad in Chicago and comes for a visit. Lordor is smitten, but wisely awaits the verdict of the women of the community.

 

“It was a look in her eye that certain immigrants recognized in one another. A look of hope and determination, almost as it she was gazing past him, far into the future.”

Lordor and Katrina marry and build a community that eventually becomes the town of Elmwood Springs. Their story reminded me of my own Swedish and German immigrant ancestors who settled in Minnesota, Ohio, and Missouri. They relied on one another and their neighbors when they first arrived here.

“You depended on them for your very survival. It didn’t matter if you liked some more than others. They were your neighbors.”

And the neighbors do talk. And talk. We soon discover that the conversations go on beyond death, as we listen in on residents of Still Meadows Cemetery reconnecting and chatting amongst themselves. They enjoy visits from loved ones they left behind and they remark on some hard-won life lessons.

“I think most people are confused about life, because it’s not just one thing going on… It’s many things going on at the same time. Life is both sad and happy, simple and complex, all at the same time.”

But every once in a while, one of the voices at Still Meadows goes silent and is never heard again. Where do they go? It’s a mystery.

The book also tracks the growth and eventual demise of small-town America, from 1889 through 2020 with references to wars, music, technology, and the arrival of Wal-Mart. The changing times have some residents of Elmwood Springs worried.

“Macky was glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves… Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it.”

Of course, the young people feel differently.

“… people are so much more tolerant and accepting of everything now: different races, different religions, different lifestyles… Life is so much easier that when you were growing up, and women are just doing everything, and now with the Internet, well…the whole world has changed. Honestly, I have to say I grew up in the very best time possible.”

I was also charmed when Flagg mentioned Elmwood Spring’s connection the WASPS, the fine female pilots she wrote about in The All-Girl Filling Station’s Last Reunion.

The takeaway lesson here is “It takes time and lot of suffering, but sometimes, when you least expect it, life has a strange way of working out.” Readers can count on Flagg for a happy ending, even when it happens in the most unlikely of ways. You just never know…

“It may take a while, but everybody gets what they deserve, eventually.”

Fannie Flagg
Author, Fannie Flagg

Book report: War comes to a small town in Sussex

The Summer Before the War has been51eS2lPk4cL._SY346_ on my “to be read” shelf since I heard author, Helen Simonson interviewed on NPR some time ago. I’d enjoyed her debut novel, Major Pettigrew’s Last Stand, which I found to be simply charming and have recommended often.

Now I can recommend her second novel to you, especially if, like me, you were a fan of “Downton Abbey.” This book is not set on a grand estate, but rather in the town of Rye in Sussex, just before England enters World War I.

We meet liberally-educated and well-traveled, Beatrice Nash, whose father has recently died. She arrives in Rye, still grieving, to take a position teaching Latin as she seeks to gain independence from her family who controls what little money she has inherited. Already in her early twenties, she has resigned herself to spinsterhood. Moreover, as a woman in 1914, she is thwarted at every turn by convention, pettiness, hypocrisy, and prejudice embodied by landladies, solicitors, and small town gossips. Through Beatrice, we are also introduced to a cast of artists, progressives, and a few gypsies who challenge the status quo with their kindness, courage, intelligence, and heart. Beatrice even finds love.

I admire Simonson’s skill at immersing readers into the landscape and conflicts of this time and place. Every well-chosen detail does double duty, informing character or enhancing tension. Simply a pleasure to read. Recommend.

 

 

 

Book Report: Do you like books about books?

61U9VpPvDULIn my previous life as an elementary school teacher and reading specialist, one of my professional principles was the importance of reaching students where they were. To hook them somehow, by attaching what they were interested in to what we were doing in class. Spiders. Trains. Kittens. Dragons. Whatever. I also knew that if they disliked reading, I just hadn’t found the right book. Yet.

I still believe that everyone ought to be reading and recent research seems to suggest that reading books prolongs our lives. Readers live longer! It also makes us happier and more empathetic, not to mention giving us somewhere to go when we’re stuck where we are.

With that in mind, I find books about books doubly intriguing. The Storied Life of A.J. Fikry and The Little Paris Book Shop are examples. The Readers of Broken Wheel Recommend by Katarina Bivald is the latest in this sub-genre, and while charming, it didn’t quite live up to my expectations. Perhaps because it was translated from the original Swedish? Whatever its imperfections, it was good enough to keep me reading to see that the small cast of characters achieved their own happy endings.

Summary: Amy is elderly and lives in tiny Broken Wheel, Iowa. Bookworm Sara is younger and works at a bookshop in Sweden. They become pen pals in the snail mail sense. When Sara travels to Iowa to visit Amy, she is unexpectedly thrown into the center of small town life. She connects with the somewhat reluctant residents of Broken Wheel over books. She finds herself, and because it’s a novel, she finds love.

Like me, Sara believes that there is a book out there for everyone. Readers will probably appreciate the list of books and authors mentioned in the book that the author has included added at the end. She’s also given us the unique book classifications that Sara uses to help readers decide what to read: “Sex, Violence, and Weapons,” “Short but Sweet,” “For Friday Nights and Lazy Sundays,” “Unhappy Endings,” and “Happy Endings When You Need Them.”

Sara made it her mission to connect people with just the right book. Not a bad reason to read this book, if you ask me.

Are there other books about books that you’ve enjoyed? Kindly share in the comments.

 

Book report: Entering Christina’s world

 

 

A teacher once pointed out that the young woman in Andrew Wyeth’s painting, Christina’s World, was a real person who couldn’t walk and whose entire world was the house in the distance and the field surrounding it. Christina Baker Kline’s A Piece of the World  expands my appreciation of this famous painting by letting Christina Olson tell her own story in a first-person, present-tense narrative that immersed me deeply into her life.

Christina is stricken as a child by an unknown illness that leaves her unable to walk without stumbling awkwardly. She recovers but becomes more and more disabled as time goes by. As an adult, she rarely leaves her chair on the ground floor of her three-story house. She defiantly refuses a wheel chair, preferring to scrape her wooden chair around the kitchen to prepare meals for her parents and brothers. She crawls on her elbows when she wishes to go elsewhere, even to the home a friend a mile away.

“I wonder, not for the first time, if shame and pride are merely two sides of the same coin.”

“To me using a wheelchair would mean I’ve given up, resigned myself to a small existence inside the house… I see it as a cage…I am willing to risk injury and humiliation to move about as I choose…

She cuts herself off from many well-meaning neighbors in the nearby town of Cushing, Maine.

 “These neighbors leach pity the way a canteen of cold water sweats in the heat. The slightest inquiry is freighted with words unsaid. Worried about you…feel sorry for you…so glad I’m not you.”

When a young Andrew Wyeth appears at her door, she reluctantly lets him take over a room upstairs as a summer studio. He returns every summer to paint the fields, the farm, the house, the rooms, her brother, and her. He alone seems to see her beyond her infirmity and her crankiness.

Wyeth tells Christina…

“…I think you’re used to being observed but not really…seen. People are always concerned about you, worried about you, watching to see how you’re getting on. Well-meaning, of course, but–intrusive. And I think you’ve figured out how to deflect their concern, or pity, or whatever it is, by carrying yourself in this ‘–he raises his arm as if holding an orb–‘ dignified, aloof way….Like the Queen of Sweden…Ruling over all of Cushing from your chair in the kitchen.”

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Author Christina Baker Kline

Kline researched the very real people and places depicted to create a sensitive, insightful, and thought-provoking exploration of a familiar image. Recommend.

Book review: The lies that bind

51xLRaJHsxL._SY346_Ann Patchett is one of my favorites. Her ability to place a reader into a scene and inside the heads and hearts of her characters is masterful. She is funny, perceptive, and even-handed as she tells this family saga from deep inside.

The first words of Commonwealth plunge us into a christening party for little Franny Keating. Bert Cousins is an uninvited guest who arrives with a huge bottle of gin. Franny’s L.A. cop dad, Fix Keating, her pretty mother, Beverly, and Bert set the whole story in motion when after a few too many glasses of orange juice laced with that gin, Beverly kisses Bert. Or he kisses her. It hardly matters. Divorce and the inevitable blending of two families ensue. The six children spend summers together in Virginia with minimal supervision from Beverly and Bert.

“The six children held in common one overarching principle that cast their potential dislike for one another down to the bottom of the minor leagues: they disliked the parents. They hated them.”

Those summers of running amok lead to a tragedy that the children witness, and the details of which they keep secret. That secret both shatters and binds them. Everyone involved is affected by the event, not least of all Franny. At twenty-something, she’s a law school dropout and cocktail waitress with a degree in English. She meets and falls in love with—or perhaps in awe of—a famous novelist. Like Scheherazade, she entertains Leo Pozen with the story of those raucous long-ago summers, including the secret. He is inspired by her tale, and uses it as the basis for a new novel, which becomes a bestseller and years later, a movie.

Now in midlife, the children are rocked by the public disclosure, but are still bound by the love and responsibility they share toward each other and their now aging parents and step-parents.

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Author, Ann Patchett

“‘People are scared of the wrong things, Fix said, his eyes closed. ‘Cops are scared of the wrong things. We go around thinking that what’s going to get us is waiting on the other side of the door: it’s outside, it’s in the closet, but it isn’t like that… For the vast majority of the people on this planet, the thing that’s going to kill them is already on the inside.’”

I recommend Commonwealth and these two others by Patchett. Enjoy!

Book review: Between father and son

511ktu-msbl-_sy346_Between the World and Me

by Ta-Nehisi Coates

This book is an earnest and fervent warning from Coates to his son and in reading it, I felt his urgency in trying to protect the life–“the body” — of his teen-aged son. Three long essays detail why being black in America is dangerous in ways that those who are not black can never fully appreciate.

Coates understands the reality. He could spend years educating himself, developing a career, acquiring assets, being responsible, and one racist act could end it all. He cites examples from history, the news, and from his own life.

Rather than trying to summarize his thoughts, I’ll let Ta-Nehisi (tah-nuh-hah-see) speak for himself.

The big message:

“…you are a black boy, and you must be responsible for your body in a way that other boys cannot know… Indeed you must be responsible for the worst actions of other black bodies, which, somehow, will always be assigned to you… You cannot forget how much they took from us and how they transfigured our very bodies into sugar, tobacco, cotton, and gold.”

Race is a social, not a biological construct:

“As for now, it must be said that the process of washing the disparate tribes white, the elevation of the belief in being white, was not achieved through wine tastings and ice cream socials, but rather through the pillaging of life, liberty, labor, and land; the chaining of limbs; the strangling of dissident; the destruction of families; the rape of mothers; the sale of children and various other acts meant, first and foremost, to deny you and me the right to secure and govern our own bodies.”

No sudden moves:

“Each time a police officer engages us, death, injury, maiming is possible. It is not enough to say that this is true of anyone or more true of criminals… It has nothing to do with how you wear your pants or how you style your hair.”

 “Should assaulting an officer of the state be a capital offense, rendered without trial, with the officer as judge and executioner? Is that what we wish civilization to be?”

No escape:

“When our elders presented school to us, they did not present it as a place of high learning but as a means of escape from death and penal warehousing.”

  “We could not get out. The ground we walked was trip-wired. The air we breathed was toxic. The water stunted our growth. We could not get out. …my father beat me for letting another boy steal from me. Two years later, he beat me for threatening my ninth-grade teacher. Not being violent enough could cost me my body. Being too violent could cost me my body. We could not escape.”

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Author Ta-Nehisi Coates, national correspondent for The Atlantic.

I recommend this book as a brief walk in another person’s shoes. I think you’ll find it both troubling and enlightening, as I did.

Book review: Missing your “Daily” fix?

daily-showThe Daily Show (The Book): An Oral History

as Told by Jon Stewart, the Correspondents, Staff and Guests

Chris Smith

If you love and still miss your nightly fix of Jon Stewart on the Daily Show, you will probably want to read this compendium of how Jon and his staff rebuilt “a little nothing cable show.” The format of the book is unusual. Author Chris Smith conducted interviews and presents those with only a smattering of context and connective tissue written by him. He also includes clips from the show. It’s a bit like reading a Ken Burns documentary.

Jon wasn’t the most likely person to replace Craig Kilborn. He’d had a few failures, a few attempts to find himself comedically. And when he took over, there were some ruffled feathers among some of Kilborn’s staff. You see, Jon had ideas of his own about the tone and direction of the show. Under Jon’s leadership, writers would refocus their attention from silly people on the fringes, to the people with power–namely politicians and the media.

“The tone of The Daily Show could be sarcastic and adversarial, but it generally wasn’t cynical or snarky…The humor was always from a point of view that held out a hope that the world could be improved, and I think that tone was essential to its success.” ~James Poniewozik, televison critic

Readers are also reminded of what was happening back then, culturally. “The anchors of the real news were still a trio of white male eminences… But the network news hegemony had been rattled by the arrival of CNN, especially its coverage of the 1990 Gulf War. Now Fox News and MSNBC—both launched, coincidentally within months of the Daily Show’s 1996 debut…And a wised-up, postmodern generation of viewers was hungry for what the Daily Show would soon deliver.”

In addition to the behind the scenes “how the sausage gets made” details, readers are also reminded of the personalities, tragedies, disasters, and political fights that Jon and his team of writers, producers, and correspondents helped viewers see more clearly through satire. Indecisions 2000 -08. 9/11. W. Mess O’Potamia. Sarah Palin. WMDs. The financial meltdown. Anthony Weiner.

In Jon’s words:

“We were serious people doing a very stupid thing, and they were unserious people doing a very serious thing, and that juxtaposition really landed.” 

 “…the show always did best when it existed in the space between what was presented as public policy and the strategizing that went into creating it. That was the defining thread of the show, that sense that we were being sold something.”

“If your world does not include enough access to different people, and their world does not include enough access to you, you are speaking from ignorance.”

Correspondents conducting field pieces interviewed real people who really believed the things they were saying. Interviewers confronted them with the contrary view in a humorous way, and then let the tape roll, giving full voice their (contradictory, hypocritical, sometimes scary, sometimes hilarious) perspective. Daily Show alums include Samantha Bee, Lewis Black, Steve Carell, Nancy Walls Carell, Wyatt Cenac, Stephen Colbert, Rob Corddry, Ed Helms, John Hodgman, Jason Jones, Al Madrigal, Assif Mandvi, Olivia Munn, John Oliver, Rob Riggle, Mo Rocca, Kristen Schaal, and Larry Wilmore. All of them give credit to Stewart for his mentorship in building their careers.

“I found out…that I had a political point of view…I don’t think I would have done that if Jon hadn’t shown me a way to do it and still by joyful and inventive about it, rather than being finger-waggy.” ~Stephen Colbert

“…because now all I want is to part of something that’s smart, silly, and has heart at the same time. Why can’t everything have all three?” ~Al Madrigal

Sure, this is a book for fans of Jon Stewart and The Daily Show, but it’s also a tutorial in how to build a team to do important work while having fun. It’s a bit long, but I never once thought of giving up. Recommend.

“He started out to be a working comedian, and he ended up an invaluable patriot. He wants his county to be better, more decent, and to think harder.” ~David Remnick. Editor in chief, the New Yorker