The Little French Bistro begins with sixty-year-old German tourist, Marianne trying to end her life. She’s been belittled by her insensitive, bullying, and unappreciative husband, Lothar for over forty years. During that time, he’s repeatedly told her she’s weak, silly, and stupid. Worse, she’s believed him. She sees no way out other than to drown herself in the Seine.
While she is rescued, Lothar’s response is less than sympathetic. Marianne escapes, but on her way out of the hospital, she is intrigued by and steals a hand-painted tile of a scene at Kerdruc. That tile leads her to the village on the Brittany Coast where she intends to make good on her intention to end her life. Instead, she rediscovers herself. I guess this could be described as a “coming of age” story, except that Marianne comes of age a bit late.
Some womanly wisdom from author, Nina George.
“Every woman is a priestess if she loves life and can work magic on herself and those who are sacred to her. It’s time for women to remind themselves of the powers they have inside. The goddess hates to see abilities go to waste, and women waste their abilities far too often.”
“’People never change!” Marianne retorted. ‘We forget ourselves, and when we rediscover ourselves, we merely imagine that we have changed. That’s not true, though. You can’t change dreams; you can only kill them—and some of us are very good murderers.’”
On the risks of compliance and defiance:
“How many deviations, side roads and senseless detours a woman can take before she finds her own path, and all because she falls into line too early, takes too early the paths of custom and convention, defended by doddering old men and their henchwomen—the mothers who only want the most dutiful outcome for their daughters. And then she wastes an immense amount of time ensuring that she fits the mold! How little time than remains to correct her fate.”
“Life wasn’t too short: it was too long to waste unduly on non-love, non-laughter and non-decisions. And it began when you first took a risk, failed and realized that you’d survived the failure. With that knowledge, you could risk anything.” “…life as an autonomous woman is not a song. It’s a scream, a war; it’s a daily struggle against the easy option of obeying.”
“Every second can mark a new beginning. Open your eyes and see: the world is out there and it wants you.”
“She hoped intensely that the generations of women to come would manage better than she had, having been brought up by mothers who didn’t equate love with abnegation.”
On the power of love:
“…maybe friendship was the most patient form of love.”
“Giving and seeing how a person flourishes and feeds off your love: the amount of power you possess, and the fact that that power makes someone the best they can be.”
I love the themes that it’s never to late to follow your heart and how important it is to show people who you really are, to live an authentic life. As I age, I find these tales of late-in-life transformation quite charming, not to mention hopeful.
While I had read and loved, this author’s Little Paris Bookshop, I had trouble following and getting invested in this book early on. With an entire village full of characters to keep track of, it was hard to know who to care about. Moreover, the omniscient narrator kept changing the point of view which made it challenging for me until I realized what was going on. Nevertheless, this was a Book Club choice, so I stuck with it and was rewarded. I also learned a bit about the Brittany Coast and the Breton culture I knew nothing of. Recommend.
The Summer Before the War has been on my “to be read” shelf since I heard author, Helen Simonson interviewed on NPR some time ago. I’d enjoyed her debut novel, Major Pettigrew’s Last Stand, which I found to be simply charming and have recommended often.
Now I can recommend her second novel to you, especially if, like me, you were a fan of “Downton Abbey.” This book is not set on a grand estate, but rather in the town of Rye in Sussex, just before England enters World War I.
We meet liberally-educated and well-traveled, Beatrice Nash, whose father has recently died. She arrives in Rye, still grieving, to take a position teaching Latin as she seeks to gain independence from her family who controls what little money she has inherited. Already in her early twenties, she has resigned herself to spinsterhood. Moreover, as a woman in 1914, she is thwarted at every turn by convention, pettiness, hypocrisy, and prejudice embodied by landladies, solicitors, and small town gossips. Through Beatrice, we are also introduced to a cast of artists, progressives, and a few gypsies who challenge the status quo with their kindness, courage, intelligence, and heart. Beatrice even finds love.
I admire Simonson’s skill at immersing readers into the landscape and conflicts of this time and place. Every well-chosen detail does double duty, informing character or enhancing tension. Simply a pleasure to read. Recommend.
I’ve been a Flagg fan for years and have always enjoyed the Southern charm, heart, and humor with which she writes. This book is no exception.
Sookie Simmons Poole is approaching sixty and has just married off her third daughter. She’s looking forward to a little time to herself—to tend her beloved birds and maybe read a book or take a trip with her darling husband. Lenore, her “delightfully eccentric” and domineering mother lives two doors down in the tiny Gulf town where everyone knows everyone else’s business. Sookie worries that she carries the gene that has made many of her ancenstors “as batty as hell.” When Sookie receives a phone call followed by a registered letter it shakes her to the core. “Identity crisis” hardly covers the impact of the news she receives.
“Growing up with Lenore, she had always felt like a little brown wren, hopping along behind a huge colorful peacock.”
Meanwhile, readers are also getting acquainted with the Jurdabralinski family who ran the Phillips 66 station in Pulaski, Wisconsin in the years between two World Wars. Their oldest girl, a free spirit named Fritzi, falls in love with flying. She learns to wing walk and fly as she barnstorms in shows around the Midwest in the early 1940s. When World War II arrives and all the men join the fight, Fritzi and her three sisters successfully run the filling station. Fritzi learns that the Airforce is looking for experienced women fliers to ferry airplanes around the country in order to free up male pilots for combat. Fritzi is one of the first to sign up to be a WASP (Women Air Force Service Pilots) and becomes one of the more that 1000 female pilots to complete seven months of training. These brave women flew sixty million miles of operation flights including ferrying aircraft from factories to bases, flight instruction (both basic and instrument), towing targets for antiaircraft and aerial gunnery, among other duties. You can find out more here: http://wingsacrossamerica.us/wasp/
“It makes me so mad when all the newspaper reporters that come here only want to show the gals putting on lipstick or posing like models…all this phony baloney stuff. If anybody thinks this is a glamorous job and that we are just in it for the fun, they haven’t watched them pull a friend out of a burning plane and die right in front of them.”
Sookie and Fritzi’s stories are woven together and resolve in a warm and surprising way. I recommend not only this book, but also learning more about the WASPs, a forgotten chapter of women’s history that is only now being discovered.