Supreme Court Justice Ruth Bader Ginsburg is my hero. And if you’ve seen me in the last week or so, I’ve probably mentioned Notorious RBG as an enlightening, inspiring, and very readable book. The authors, Irin Carmon and Shana Knizhnik, made it a pleasure getting to know this intelligent, forthright, hardworking woman who has fought against stereotype and injustice for her entire career.
Young Ruth had doors slammed in her face. Repeatedly. She was once fired for being pregnant. While at Harvard Law School as a young wife and mother, she and the other female students had to repeatedly justify the slots that they’d “taken away” from males. Furthermore, there were “small” slights such as no women’s restrooms in the building and not being allowed into the library’s reading room. Nevertheless, she persisted.
After Ginsburg transferred to Columbia Law School, she graduated tied for first in her class. Still, no firm would hire her. Again, she would be taking a job from a male who had a family to support. When she finally did get a job lecturing at Rutgers, she was paid less because she was a woman. Still, she persisted.
While working with the ACLU, she won five out of six women’s rights cases she argued before the Supreme Court. Furthermore, she devised a careful, incremental plan for revolutionary goals, fighting against laws that were inherently gender-biased. Some of her earliest cases defended men against unfair regulations that didn’t acknowledge they too could be primary caregivers of their children or parents. Or the pregnant woman in the military forced to choose between an abortion or a discharge, neither of which she wanted. Or the woman who wasn’t allowed to add her children to her employer-based health insurance because it was assumed only men had dependents. You see, fairness works both ways.
“I think gender discrimination is bad for everyone, it’s bad for men, it’s bad for children. Having the opportunity to be part of that change is tremendously satisfying. Think of how the Constitution begins. ‘We the people of the United States in order to form a more perfect union.’ But we’re still striving for that more perfect union. And one of the perfections is for the ‘we the people’ to include and ever enlarged group.”
“’We the people’” originally left out a lot of people. “’It would not include me,” RBG said, or enslaved people, or Native Americans.’”
Ginsburg established case-law that could then be cited as precedent in future cases.
Learning about Ginsburg’s early fights and her resolve to continue fighting, reminds us that we all owe a huge debt of gratitude to Justice Ginsburg. We could do worse that to emulate her example.
RBG advises women to act like ladies:
“That meant to always conduct yourself civilly, don’t let emotions like anger or envy get in your way…Hold fast to your convictions and your self-respect, be a good teacher, but don’t snap back in anger. Anger, resentment, indulgence in recriminations waste time and sap energy.”
Further advice from the book’s Appendix:
How to Be Like RBG
- Work for what you believe in, but pick your battles and don’t burn your bridges.
- Don’t be afraid to take charge.
- Think about what you want, then do the work, but then enjoy what makes you happy.
- Bring along your crew.
- Have a sense of humor.
Ruth Bader Ginsburg is now firmly fixed in my pantheon of cultural heroes. And it’s never too early to learn about this fabulous woman. A Young Readers’ version of this book is now available and I recently purchased one of several picture books about Justice Ginsburg for my granddaughter’s eighth birthday. I hope my Olivia will stand up against injustice when she sees it.
Yes, we’ve come a long way, baby. Due in no small part the Notorious (not to mention Supreme) RBG.
The Little French Bistro begins with sixty-year-old German tourist, Marianne trying to end her life. She’s been belittled by her insensitive, bullying, and unappreciative husband, Lothar for over forty years. During that time, he’s repeatedly told her she’s weak, silly, and stupid. Worse, she’s believed him. She sees no way out other than to drown herself in the Seine.
While she is rescued, Lothar’s response is less than sympathetic. Marianne escapes, but on her way out of the hospital, she is intrigued by and steals a hand-painted tile of a scene at Kerdruc. That tile leads her to the village on the Brittany Coast where she intends to make good on her intention to end her life. Instead, she rediscovers herself. I guess this could be described as a “coming of age” story, except that Marianne comes of age a bit late.
Some womanly wisdom from author, Nina George.
“Every woman is a priestess if she loves life and can work magic on herself and those who are sacred to her. It’s time for women to remind themselves of the powers they have inside. The goddess hates to see abilities go to waste, and women waste their abilities far too often.”
“’People never change!” Marianne retorted. ‘We forget ourselves, and when we rediscover ourselves, we merely imagine that we have changed. That’s not true, though. You can’t change dreams; you can only kill them—and some of us are very good murderers.’”
On the risks of compliance and defiance:
“How many deviations, side roads and senseless detours a woman can take before she finds her own path, and all because she falls into line too early, takes too early the paths of custom and convention, defended by doddering old men and their henchwomen—the mothers who only want the most dutiful outcome for their daughters. And then she wastes an immense amount of time ensuring that she fits the mold! How little time than remains to correct her fate.”
“Life wasn’t too short: it was too long to waste unduly on non-love, non-laughter and non-decisions. And it began when you first took a risk, failed and realized that you’d survived the failure. With that knowledge, you could risk anything.” “…life as an autonomous woman is not a song. It’s a scream, a war; it’s a daily struggle against the easy option of obeying.”
“Every second can mark a new beginning. Open your eyes and see: the world is out there and it wants you.”
“She hoped intensely that the generations of women to come would manage better than she had, having been brought up by mothers who didn’t equate love with abnegation.”
On the power of love:
“…maybe friendship was the most patient form of love.”
“Giving and seeing how a person flourishes and feeds off your love: the amount of power you possess, and the fact that that power makes someone the best they can be.”
I love the themes that it’s never to late to follow your heart and how important it is to show people who you really are, to live an authentic life. As I age, I find these tales of late-in-life transformation quite charming, not to mention hopeful.
While I had read and loved, this author’s Little Paris Bookshop, I had trouble following and getting invested in this book early on. With an entire village full of characters to keep track of, it was hard to know who to care about. Moreover, the omniscient narrator kept changing the point of view which made it challenging for me until I realized what was going on. Nevertheless, this was a Book Club choice, so I stuck with it and was rewarded. I also learned a bit about the Brittany Coast and the Breton culture I knew nothing of. Recommend.
A Man Called Ove by Fredrik Backman has been on my cyber nightstand for a long time. Then the Swedish movie popped up on Netflix. When I finished My Grandmother Asked Me to Tell You She’s Sorry by the same author, it showed up as a recommended next read. Finally, the stars aligned and the Kindle version became available at Overdrive from my local library.
Ove (pronounced “Oova”) is a cranky old man, recently widowed and forced into retirement. Throughout the book we see the world through his eyes. Life is bleak and the changing world is filled with idiots. No one knows how to do anything anymore.
Here’s a sample of Ove’s worldview:
“Should one really have a driver’s license if one can’t drive a real car rather than some Japanese robot vehicle, he wonders. Ove doubts whether someone who can’t park a car properly should even be allowed to vote.”
“People didn’t know how to…brew some proper coffee. In the same way as nowadays nobody could write with a pen. Because now it was all computers and espresso machines. And where was the world going if people couldn’t even write or brew a pot of coffee?”
“People said he was bitter. Maybe they were right. He’d never reflected much on it. People also called him antisocial. Ove assumed this meant he wasn’t overly keen on people. And in this instance he could totally agree with them. More often than not people were out of their minds.”
As the book progresses, we learn Ove’s story is one of sadness, almost from the beginning. Nevertheless, the book is far from depressing because we meet Ove’s neighbors and the Cat Annoyance and see them interact in human and quite humorous ways. We feel empathy for the old grump.
This is a charming book, with many laugh-out-loud moments. I highly recommend you read Ove’s story. Then watch the subtitled movie, perhaps with the curmudgeon you love.
While the language is the same (mostly), my dearly beloved (db) and I were in for a few little surprises when we arrived in beautiful Sydney, Australia after a long flight on our way to a long cruise. I’m not complaining—who can complain about a chance to travel so far and see such beautiful places? No, I’m merely noticing.
The first thing we discovered was the electric tea kettle in our room instead of a coffee maker. Several varieties of tea and an Arrowroot Biscuit (!) were provided along with a couple of packets of instant coffee. Instant coffee.
Yes, I can–and did–drink instant, but you see, db and I are accustomed to early morning coffee before we attempt communication. Certainly we would survive, but seriously, how do people function and remain married without real coffee? We’ll celebrate our 44th anniversary this year and I know part of our marital longevity is due in no small part to the consumption of a couple of cups of coffee before we speak each morning.
At least they’d have real coffee at breakfast. Right?
Of course, a few of the menu choices at the hotel’s breakfast buffet also reminded me I was no longer in the USA. There were packets of Vegemite and Nutella to spread on toast, broiled tomatoes, muesli, baked beans, and boiled eggs in the shell–served hot! Still, I found enough creamy scrambled eggs, fresh fruit, and raisin toast to fill my plate.
Now to find the coffee before I sat down to eat. I looked around but found no giant urn, no thermal carafes… Oh, wait, there’s a machine. I read my choices. Espresso or long black. What about regular coffee?
Espresso is a shot, right? Not enough. But would a long black overfill the cup I held in my hand? I weighed the risk of going another moment without the requisite amount of caffeine I needed for basic social in interaction. I pressed the button for a long black and hoped for the best. Blessed hot black liquid poured forth from machine.
When I tasted it, it was stronger than an Americano, but definitely “real.” Later, with the help of google, I learned that “long black” is a term used in Australia and New Zealand for a double shot of espresso poured over hot water.
With that long black coursing through my veins and my jet-lagged brain now firing on most of its cylinders, I could face the puzzling items that would appear on the lunchtime menu: rocket salad and cos lettuce with capsicum.
Ann Patchett is one of my favorites. Her ability to place a reader into a scene and inside the heads and hearts of her characters is masterful. She is funny, perceptive, and even-handed as she tells this family saga from deep inside.
The first words of Commonwealth plunge us into a christening party for little Franny Keating. Bert Cousins is an uninvited guest who arrives with a huge bottle of gin. Franny’s L.A. cop dad, Fix Keating, her pretty mother, Beverly, and Bert set the whole story in motion when after a few too many glasses of orange juice laced with that gin, Beverly kisses Bert. Or he kisses her. It hardly matters. Divorce and the inevitable blending of two families ensue. The six children spend summers together in Virginia with minimal supervision from Beverly and Bert.
“The six children held in common one overarching principle that cast their potential dislike for one another down to the bottom of the minor leagues: they disliked the parents. They hated them.”
Those summers of running amok lead to a tragedy that the children witness, and the details of which they keep secret. That secret both shatters and binds them. Everyone involved is affected by the event, not least of all Franny. At twenty-something, she’s a law school dropout and cocktail waitress with a degree in English. She meets and falls in love with—or perhaps in awe of—a famous novelist. Like Scheherazade, she entertains Leo Pozen with the story of those raucous long-ago summers, including the secret. He is inspired by her tale, and uses it as the basis for a new novel, which becomes a bestseller and years later, a movie.
Now in midlife, the children are rocked by the public disclosure, but are still bound by the love and responsibility they share toward each other and their now aging parents and step-parents.
“‘People are scared of the wrong things, Fix said, his eyes closed. ‘Cops are scared of the wrong things. We go around thinking that what’s going to get us is waiting on the other side of the door: it’s outside, it’s in the closet, but it isn’t like that… For the vast majority of the people on this planet, the thing that’s going to kill them is already on the inside.’”
I recommend Commonwealth and these two others by Patchett. Enjoy!
If you learned your life was nearly over, how would you choose to live?
Dr. Paul Kalanithi, the author of When Breath Becomes Air, is thirty-six and about to finish a decade of training as a neurosurgeon, when he receives a devastating diagnosis. Stage IV lung cancer. This beautifully written book describes Paul’s journey from doctor to patient as he sees his future shrink.
Kalanithi’s oncologist advises to him to find his values, but he finds them shifting as his illness progresses. He repeatedly asks himself, “What makes life meaningful enough to go on living?” Should he go back to work? Should he and his wife have a child? Should he write a book? He works through these choices in a compelling and very human way.
Because his specialty is the brain, where identity resides, Kalanithi had helped patients and their families with some of these difficult decisions. Sometimes, “…the question is not simply whether to live or die but what kind of life is worth living.”
“I had to help those families understand that the person they knew—the full, vital independent human—now lived only in the past and that I needed their input to understand what sort of future he or she would want: an easy death or to be strung between bags of fluids going in, others coming out, to persist despite begin unable to struggle.”
Some of you may not be up to reading this book. Its emotional journey may parallel one in your own experience too closely. Nonetheless, I believe we need to have some of these difficult conversations with our loved ones before they become necessary. It’s not only about how we want to die—with compassion and without pain—but how we want to live—with purpose and joy. Those making decisions on our behalf need to know our wishes and we need to know theirs. I recommend this book as a way to start the conversation.
In Delia Ephron’s latest, Siracusa, two couples vacation together in Sicily where their marriages as well as their friendship unravel when flaws are exposed. The story is told in retrospect, with each of the characters giving their own questionable account of a tragic event that is only revealed to the reader at the end when secrets come to light with a bitter vengeance. A literary whodunit.
Ephron (yes, she’s Nora’s sister) lets each of the main characters have their say with distinct voices. While none of them is particularly likeable, they are intriguing.
Michael—an arrogant, womanizing writer of some notoriety, who is a “year behind on a book he isn’t writing.”
Lizzie—Michael’s wife, also a writer, trying to win him back, but doubting her self-worth.
Finn—Lizzie’s former lover, a free-spirited restaurateur who goes on late night rambles striking up conversations with everyone he meets.
Taylor—Finn’s chic, controlling wife, devoted to their beautiful ten-year-old and creepily quiet daughter, Snow who is also on this trip. Snow suffers from (or hides behind) a super shyness “syndrome,” which only her mother believes is real. Snow rarely speaks above a whisper so her mother speaks for her. See? Creepy.
Themes of marriage, friendship, motherhood, secrets, lies, and betrayal weave throughout in a compelling and sinister way.
A few quotes to illustrate Ephron’s wry and stinging observations:
“’Divine the insecurity and compliment it,’ I heard him say not long after he’d used the trick on me.”
“Betrayal of this magnitude is the exclusive province of married couples.”
“The only power worth having is secret power…like having an ace up your sleeve or a gun in your boot.”
Both these books feature young women, both focused on their successful careers, but with personal lives that are a bit of a mess. One is unmarried and the other married with two little girls. Both books demonstrate the power of even lighter fiction to show us what is true about love, sacrifice, friendship, trust, jealousy, and regret. You know, the big stuff. And both allow characters to hear loved one’s voices from the past.
In My Best Friend’s Girl, BFFs Kamryn and Adele become understandably and bitterly estranged when Kamryn discovers that Adele’s daughter Tegan, was fathered by Kamryn’s fiancé. After years of silence between them, Adele dies but not before exacting a promise from Kamryn that she will care for and adopt now five-year-old Tegan. Kamryn’s life and priorities are turned upside down when motherhood is thrust upon her, a role she never aspired to. That role is made even more difficult by grief. Letters from Adele add a poignant touch to this angst-y but heartwarming story.
To her ex, Kamryn says:
“You’re the only person on earth I’d wanted to have a child with, and you did it with someone else. Someone I loved. That’s why I had to leave. I couldn’t stay when you’d made a baby, a new life, with someone else.”
And about Tegan:
“At least she knew she had me. I wasn’t her mum, but I was there.”
In Landline, the voice from the past arrives via an old yellow trimline phone found in the childhood bedroom of Georgie, a television comedy writer in Los Angeles and married mother of two. Because of a “once in a lifetime opportunity” to finally get the show she and her writing partner (and too-handsome best friend, Seth) have dreamed about since college, she stays behind when her husband Neal and girls go to Omaha for Christmas. Georgie’s mother believes that Neal has left Georgie, which begins a cycle of self-doubt. Had she been a neglectful wife and mother? Had Neal really left her? With her cellphone dead, she calls Neal on the landline and the Neal who picks up is the Neal she fell in love with fifteen years ago. Before marriage, before children. She’s careful not to break the spell throughout a week as she and Neal talk every night on that old yellow phone. This Neal still loves her.
“Georgie,” he said. “I love you. I love you more than I hate everything else. We’ll make our own enough–will you marry me?”
“Somebody had given Georgie a magic phone, and all she’d wanted to do with it was stay up late talking to her old boyfriend.”
These two books appealed to me because I wanted to explore the concept of friendship in Women’s Fiction. How friends support each other and how far they’ll go to fulfill a promise or commitment is compelling, but so is the push and pull between those friendships and all our important relationships–marriage, parenthood, even work. The novel I’m working on focuses on some of those elements and I wanted to see how these authors handled them. I was not disappointed.